Remembering Ammon Hennacy

By Jerry Currier | Wisdom and Inspiration | Jul 1, 2006

Hundreds of negatives were stored in the Kodak paper boxes inside this trunk
An attack of spring-cleaning recently led to the discovery of a treasure trove of past photographic material I thought was long lost.

There is a small closet, nestled under the stairs in my downstairs office/digital darkroom. Over the years, it has been the repository for items I couldn’t throw out or give away for various, long-forgotten reasons. I decided to clean it out and discovered two old metal trunks stuffed in back and hidden by an assortment of “stuff,” old rugs, cardboard file boxes filled with assorted mementos and clothing that is now being stored for the day that it will fit once again.


©Jerry Currier
Ammon Hennacy
Dragging the trunks into the light and opening them (I had to break the lock on one, as the key wouldn’t work in the rusty lock) left me absolutely stunned and thrilled!  Buried under a variety of newspapers and magazines with headlines of President Kennedy’s assassination and heralding the first moon landing, there were several Kodak 500 sheet, 8" x 10" paper boxes filled with hundreds of negatives—photographic projects I abandoned and had long since forgotten once again saw the light of day.

One of these projects was going to be an article about a fascinating man, Ammon Hennacy. I met Ammon in Salt Lake City in 1962  or ’63. I think it was Bruce Phillips who introduced me to him. Bruce now goes by the moniker of Utah Phillips and is a well-known folk musician. I think Bruce felt that I might find the material for a photo essay centered on Ammon’s efforts to help the transients, tramps, and winos (as they were called in the 1960s) who found themselves down and out in Salt Lake.

Ammon  was a self-described Catholic/anarchist/pacifist (what a combination)!  He refused to pay taxes for moral reasons and had been in and out of numerous jails and prisons as a result of his anti-war, anti-bomb, anti-draft philosophy. He founded and ran a place called the "Joe Hill House of Hospitality" in downtown Salt Lake City. It was located in a rather rundown storefront, chosen for its cheap rent and because it was near the

©Jerry Currier
Painting by Mary Lathrop
employment office and skid row. It was named for Joe Hill, a “labor martyr” who was executed after being convicted of murder in Utah in the early 1900s. Depending on who you believe, Hill was actually guilty of the crime or was framed for a murder he didn't commit.

A painting by Mary Lathrop (another activist and friend of Ammon’s) portraying Hill’s execution at the hands of a Utah firing squad dominated one wall of the interior of the House. Ammon mentions this painting in his autobiography, The Book of Ammon, “The I.W.W. (International Workers of the World or “the Wobblies”) wouldn't print this picture because it had Christ in it, and the Catholic papers won't print it because Joe Hill is in it.”

In a conversation Ammon described his “House of Hospitality” as a place where the “unacceptable” charity cases (unacceptable in the eyes of most organized charitable organizations) could get a meal, coffee, and a place to sleep. All with, “No questions asked, no sermons, no singing or praying.”  The only “rule” Ammon had was that no drinking was allowed. Being an anarchist, he didn’t believe in rules or laws. As far as he was concerned, laws and rules were just another way to rob people of their freedoms.


©Jerry Currier
I remember asking Ammon how he enforced the “No Drinking Here” sign that was prominently displayed. I was curious in light of the fact that many of his guests were on the skids because of some kind of alcohol related problem. His response was that the miscreant was reminded that drinking was not allowed and then escorted to the door and asked not to come back. When I asked if “escorting” the person to the exit didn’t often require a certain application of physical force (which Ammon disapproved of), his response was it wasn’t force but “persuasion.”





©Jerry Currier
Ammon is undoubtedly one of the most interesting men I have ever photographed. Let me quote from the handwritten notes I made at the time:

  • “A man with strangely piercing gray eyes and a crop of bushy gray hair-fine teeth-a vegetarian and a disbeliever in medicine (a Christian Scientist upbringing, perhaps?). A man who seems to be honest in his beliefs and who seems without hypocrisy.”


  • “I would say he enjoys being in trouble—trouble, that is, as our society understands the word. He seems to be daring the world, but daring it to what is not always clear.”


  • “He has exceptional energy for a man of seventy years or more. To look at him you would assume he is no older than fifty.”


  • “Excellent flashing teeth and a biting sense of humor.”


  • “Preaches in a soft way that, if you are not watching, does not seem like preaching, merely conversation. Then if you become agitated with him (easy to do, as his message goes against most current social mores) and if you are observant, you realize that you were being preached to, conversationally!”


©Jerry Currier
I had many conversations with Ammon. Many times I would become annoyed and confrontational because I often didn’t agree with his radical views. His responses were always measured and soft spoken. If I interrupted one of his discourses, he would calmly pause, fix me with a piercing gaze, wait until I had run down, then without breaking verbal stride, continue from where he had been interrupted.

I should mention, that all the images accompanying this article were taken with Ammon’s permission. He asked me not to take pictures of the men who were his guests unless I received permission from them individually, a request I complied with.

Ammon was a much more complex man than my notes would seem to imply. He remains one of the most intriguing people I have encountered in over 50 years of making images: A radical, a rebel, and a thoroughly delightful man to have known and disagreed with.


You can view more of Jerry Currier's images on his Portfolio.

Let us know if you found this article useful, and tell us what kinds of articles you'd like to see in upcoming issues. Send your comments and ideas to the editor.

© Copyright 2010 by PHOTOWORKSHOP.COM

Top of Page

Last Updated: Jul 29th, 2010 - 13:28:46


Wisdom and Inspiration: Additional Articles
Photographic Elements, Lines, Lines, Lines
Interview with Douglas Kirkland
Getting Your Work Displayed In Galleries
An Interview with Jock Sturges
Interview with Arnold Newman
The Photographer's Rights - USA
A Simple Comment On Simplicity
You Be The Judge
The Importance of the PWS Portfolio
Critique Boutique