From Photoworkshop.com
Education/Inspiration
Special Kids Photography: Portraying the Inner Beauty of Handicapped Children
By Lynne Eodice Sep 1, 2006
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| Lorena © Ed & Pat Deguzis |
Karen Dorame hadn’t always set her sights on becoming a photographer,
let alone a director of a national non-profit organization devoted to
teaching photographers how to capture beautiful portraits of children
with disabilities. The idea for Special Kids Photography of America
(SKPA) was born on the day that Dorame’s daughter, Heidi Lewis, was
almost turned away by a photographer whom she asked to shoot a portrait
of her one-year-old son with a connective-tissue
disorder. “His first year was full of therapy and doctor visits,”
Dorame recalls. “It was touch and go whether he would live or not. She
wanted to celebrate his first year of life by having his picture taken
and thought a photographer would want to share that opportunity.”
A Non-Profit is Born
“After the tears and frustration that afternoon,” says Dorame, “She
thought
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| Nick © SKPA Board Member Laura Popiel |
of forming a non-profit organization that would train
photographers to work more effectively with special children.” Lewis
soon discovered that other parents of children with disabilities had
encountered similar problems in trying to have a professional photo
taken of their child. Dorame became the co-founder of this fledgling
organization, in which she and her daughter initially sought
photographers around the country who could be trained to photograph
children with special needs. “We didn’t know where to go at first,” she
recalls. An Internet search proved to be relatively unsuccessful, but
things began rolling after Amherst Media (who published Photographing
Children With Special Needs by Dorame) pitched in by putting out a call
for portraits to be used in the book. Also, Epson America, Inc.
sponsored the first Special Kids “Discovery Workshop” for professional
photographers in 2001. Care providers of special children were invited
to provide input along with models (children with cerebral palsy), who
gave these attendees hands-on experience working with children with
disabilities. These photographers also submitted photographs to the
organization—thus SKPA was born.
Held to a High Standard
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| Heidi Lewis' son Taylor with sister Mckinsey © Karen Dorame |
Today, approximately 200 photographers nationwide have been trained by
SKPA. Dorame travels widely to give presentations at PPA conventions
and sets up exhibits at trade shows. “We’re always looking for support
since we’re a non-profit organization,” she says. SKPA relies on
donations and partners with different organizations. Photographers
seeking to become associated with this organization must first undergo
SKPA’s one-day specialized training, provide portraits of four
different children, and three referrals from parents. Once these items
pass a review process, the photographer can become certified by SKPA.
“After they’re trained and accredited, these photographers can use our
logo and name in their advertising,” explains Dorame. “They know how to
work more effectively with special children.”
Families looking for a special children’s photographer can go to the
SKPA website to find one close to their community. Besides training
photographers, the organization is devoted toward policy change in
areas where special kids may have potential for increased visibility,
according to Dorame. SKPA even offers financial help to low-income
families for photographic services in its “Smiles for Katie” memorial
program. “Statistics show that at least one in five children have some
sort of disability or serious illness,” Dorame points out. “This is
over 20% of our population.” SKPA has a special marketing component
based on these statistics that help photographers find this special
population. “We teach photographers how to reach this market,” she
remarks.
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| Vanessa © Karen Dorame |
Recommended Equipment
In addition to training the photographers associated with SKPA, Dorame
does some of this photography herself when she has time. Currently, she
uses a Nikon D200, with Nikon 17–55mm, 70–200mm and 18–70mm lenses. She
doesn’t use a tripod, as “It’s too cumbersome and I like to be free to
move around my subjects,” she says. Dorame also uses Adobe Photoshop
CS2 and nik filters for softening portraits in post-production. She’s
also recently begun learning studio lighting.
One of SKPA’s sponsors, F.J. Westcott (http://www.fjwestcott.com) has
supplied the organization with “cold” lights, which provides a more
desirable
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| Aydin © Laura Nikas |
continuous light source for photographing disabled children.
“These lights don’t flash in the kids’ eyes,” Dorame points out.
Westcott’s Spider PD5 Pro Kit is around $1000, is very durable, and
less likely to get broken if children knock them over. Dorame uses
Westcott’s spider lights with halo shields. “They’re so easy to use—I
thought I was going to have to go through a big learning curve, but I
didn’t need to,” she says. SKPA also recommends that most special kids
photography be done outdoors in the child’s environment, as the child
feels more comfortable and can interact with their surroundings. Dorame
advises photographers to avoid using metallic reflectors, as they
create a “light shock” in many disabled children’s eyes. Kelly Mondora,
Vice President of F.J. Westcott comments, “The first time I met Karen
with SKPA, I was blown away by the drive and compassion the
organization and its members have. We are proud to be associated with
SKPA.”
Helping Hands One of Dorame’s latest hands-on training sessions took place in
Seattle, Washington. A parent of a severely disabled special child was
invited to see if SKPA was “on track” with their presentation. As it
turned out, Dorame says, the mother wants to become involved and to eventually train
photographers. SKPA offers training courses all year long, and makes a
presence at various photo conventions. Dorame wishes to thank these
organizations for their support and for donating booth space at trade
shows: Wedding and Portrait Photographers International (WPPI),
Professional Photographers of America (PPA), Child and Family Portrait
Photographers of America (CFPA), and Pro Photo Expo. SKPA will make a
presentation in Columbus, Georgia at a PPA regional convention on
September 16, and in St. George, Utah on September 25.
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| Steven © Karen Dorame |
Jennifer Turner, President of CFPA, describes how Special Kids
Photography has helped her: “They are an invaluable resource for
photographers. I specialize in photographing children, but several
years ago I agreed to shoot a wedding, and it turned out that the
sister of the groom had Downs Syndrome. It was my training with SKPA
that helped me understand how to work with her. Since then I have done
sessions with many special-needs children, sometimes knowing ahead of
time that they had special needs, but many times the parents didn’t
tell me at all. Knowing ahead of time what to
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| An image for Down Syndrome Assoc. calendar © Laura Popiel |
do has allowed me to
capture beautiful portraits for these families—many of these children
will not live well into adulthood. I think that training with SKPA
should be required for anyone who photographs children.”
More photographers are becoming involved with SKPA, and are becoming
passionate about this specialized area of photography, reports Dorame.
“Above all, they’ve got to have a heart for these kids.”
To learn more about SKPA, visit http://www.specialkidsphotography.com.
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